Vol. 14 No. 23 (2014): Parody, Parodies

Vol. 14 No. 23 (2014)

Published 2015 June 2
Parody, Parodies
Marek Hendrykowski
5-14
Film Parody
https://doi.org/10.14746/i.2014.23.1
PDF (Język Polski)
Petr Mareš
15-24
The Kind Millionaire, Lemonade Joe and Superman. On Czech Film Parodies
https://doi.org/10.14746/i.2014.23.2
PDF (Język Polski)
Don Fredericksen
25-28
On Parody
https://doi.org/10.14746/i.2014.23.3
PDF (Język Polski)
Marek Hendrykowski
29-38
Around the definition of a movie parody
https://doi.org/10.14746/i.2014.23.4
PDF (Język Polski)
Jadwiga Hučková
39-48
Is the myth subject to parody? Pacho, the Brigand of Hybe (1975) by Martin Ťapák
https://doi.org/10.14746/i.2014.23.5
PDF (Język Polski)
Tomáš Hučko
49-56
Hungarian movie parody. Side effects of movie parodies from the time of Kádár
https://doi.org/10.14746/i.2014.23.6
PDF (Język Polski)
Justyna Czaja
57-64
Superhero made in Poland - a parody in Andrzej Kondratiuk's film "Hydrozagadka"
https://doi.org/10.14746/i.2014.23.7
PDF (Język Polski)
Marek Hendrykowski
65-79
Linke's "Autobus" as a parody of the Polish People's Republic. Intertextual study
https://doi.org/10.14746/i.2014.23.8
PDF (Język Polski)
Anna Śliwińska
81-91
Different Faces of Parody in Billy Liar
https://doi.org/10.14746/i.2014.23.9
PDF (Język Polski)
Anna Zarychta
93-110
Par-eikon: the case of the Last Supper
https://doi.org/10.14746/i.2014.23.10
PDF (Język Polski)
Justyna Sulejewska
111-115
The affirmative nature of parody in "La puppé" by Timothy Greenberg
https://doi.org/10.14746/i.2014.23.11
PDF (Język Polski)
Piotr Pomostowski
117-125
"Go West", or the Marx brothers, ride an iron horse
https://doi.org/10.14746/i.2014.23.12
PDF (Język Polski)

Student films

Katarzyna Mąka-Malatytńska
129-141
Parodies, travesties, overtures – meaning of styling treatments in Mark Piwowski’s school films
https://doi.org/10.14746/i.2014.23.13
PDF (Język Polski)
Marek Hendrykowski
143-151
Skolimowski's "Hamleś" as a Parody
https://doi.org/10.14746/i.2014.23.14
PDF (Język Polski)
Andrzej Szpulak
153-154
Etudes of "social reconnaissance." About school relatives of black series films
https://doi.org/10.14746/i.2014.23.15
PDF (Język Polski)

Filmmaker workshop

Stefan Czyżewski
165-178
Formal analysis of film – workshop analysis – score notation analysis
https://doi.org/10.14746/i.2014.23.16
PDF (Język Polski)
Piotr Pławuszewski
179-188
Hidden cameras of Stanisław Bareja
https://doi.org/10.14746/i.2014.23.17
PDF (Język Polski)
Piotr Pławuszewski
189-194
Screwdriver, tablet and passion. An interview with Jacek Fedorowicz
https://doi.org/10.14746/i.2014.23.18
PDF (Język Polski)
Stanisław  Bareja
195-110
Issues of the implementation of hidden camera films that are part of the television entertainment programs
https://doi.org/10.14746/i.2014.23.19
PDF (Język Polski)

Warsztat scenarzysty

Marek Hendrykowski
211-218
The film script as an inspiration
https://doi.org/10.14746/i.2014.23.20
PDF (Język Polski)

Author Gallery

Jacek Wesołowski
219-243
Jacek Wesołowski
https://doi.org/10.14746/i.2014.23.21
PDF (Język Polski)

Varia

Maria Delimata
244-248
Filipino cinema in shades of pink
https://doi.org/10.14746/i.2014.23.22
PDF (Język Polski)
Krzysztof Kozłowski
249-258
Jerzy Wójcik - light aesthetics
https://doi.org/10.14746/i.2014.23.23
PDF (Język Polski)