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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
2015 January 13
https://doi.org/10.14746/i.2015.25.03
Mikołaj Jazdon
155-166
To film an inconceivable reality: the manifesto of the young Kieślowski
2019 March 25
https://doi.org/10.14746/i.2018.33.13
DARIA MAZUR
157-170
Polish actors and Yiddish cinema of the inter-war period
https://doi.org/10.14746/i.2016.28.13.
ADAM DOMALEWSKI
121-134
Film actors, theatre actors? The Polish actors’ market in recent years
https://doi.org/10.14746/i.2016.28.10.
MARCIN PIGULAK
163-174
The Church of Scientology’s strategies of control and repression of towards American cinema
https://doi.org/10.14746/i.2016.27.12.
Małgorzata Jakubowska
17–29
Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again
2018 April 26
https://doi.org/10.14746/i.2017.30.02.
Ewa Mazierska
133-149
Želimir Žilnik and Eastern European independent cinema
2013 January 13
https://doi.org/10.14746/i.2013.22.09
PATRYCJA ROJEK
111-121
Who does King Arthur work for today? Uses and abuses of the Arthurian myth
https://doi.org/10.14746/i.2016.27.07.
Piotr Zwierzchowski
170–176
Nudity as a promotional strategy in the Polish cinema of the 1980s
2018 December 22
https://doi.org/10.14746/i.2018.32.13
Denis Viren
277-280
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
2014 June 13
https://doi.org/10.14746/i.2014.24.27
Balázs Varga
175-187
Tradition and Modernization. Contemporary Hungarian Popular Cinema
2013 January 13
https://doi.org/10.14746/i.2013.22.12
Anna Mikonis-Railienė
234-248
History and Symbols: Lithuanian and Central European Cinema of the 1960s
2015 January 13
https://doi.org/10.14746/i.2015.25.18
MAŁGORZATA HENDRYKOWSKA
63-86
Meanders and paradoxes of interwar film censorship in Poland
https://doi.org/10.14746/i.2016.27.04.
Joanna Sikorska
197-204
The Image of The Polish People’s Republic Present in Bartosz Warwas’ Mc. Człowiek z winylu and Jaskółka
2015 June 13
https://doi.org/10.14746/i.2015.26.17
Marek Hendrykowski
29-38
Around the definition of a movie parody
2014 January 13
https://doi.org/10.14746/i.2014.23.4
Grzegorz Fortuna
27-43
Video market in Poland
2013 January 13
https://doi.org/10.14746/i.2013.22.02
Mikołaj Jazdon
281-286
A part instead of a whole or a way for censors. "Primary School" by Tomasz Zygadlo - a model movie of the "new change" cinema
2014 June 13
https://doi.org/10.14746/i.2014.24.28
Radosław Dąbrowski
87-107
Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship
2019 March 25
https://doi.org/10.14746/i.2018.33.08
MACIEJ PIETRZAK
123-142
Breaking the taboo. The earliest cinematic echoes of the March 1968 experienc
https://doi.org/10.14746/i.2016.27.08.
Nikica Gilić
39–47
Localised dystopia in Croatian and Serbian cinema
2018 December 22
https://doi.org/10.14746/i.2018.32.04
Marek Hendrykowski
163-187
Agnieszka Osiecka’s Student Films
2012 June 13
https://doi.org/10.14746/i.2012.20.12
Lorant Stőhr
5-18
Inside Job. First-person Documentary in Trauma Cinema: "Balkan Champion" (2006)
2014 June 13
https://doi.org/10.14746/i.2014.24.1
MAREK HENDRYKOWSKI
19-32
Cinema under pressure
https://doi.org/10.14746/i.2016.27.02.
Konrad Klejsa
23-35
The Parallax Memory. Notes on the Solidarity, Solidarity… Collection
2012 June 13
https://doi.org/10.14746/i.2012.20.02
Piotr Zwierzchowski
137-153
The Party in Krzysztof Kieślowski’s Films
2019 March 25
https://doi.org/10.14746/i.2018.33.12
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