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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Monika Talarczyk-Gubała
91–98
Barbara Hammer’s History Lessons as a documentary utopia
2018 April 26
https://doi.org/10.14746/i.2017.30.07.
Marek Hendrykowski
5-14
Dancing muses. Cinema and the correspondance of arts
2009 June 13
https://doi.org/10.14746/i.2009.13.14.01
Anna Śliwińska
23-31
England in a Miniature in Mike Leigh's "The Short and Curlies"
2012 January 13
https://doi.org/10.14746/i.2012.19.03
Wojciech Otto
123-134
On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.
2019 January 8
https://doi.org/10.14746/i.2017.31.12
Michał Pieńkowski
336-341
‘Known’ and unknown pre-war Polish film productions: Konstanty Meglicki’s Halka and Mieczysław Krawicz’s Sportowiec mimo woli
2017 March 15
https://doi.org/10.14746/i.2017.29.23
Piotr Zwierzchowski
65-78
Functions of film images of Warsaw in the Polish cinema of the 1960s
2019 January 8
https://doi.org/10.14746/i.2017.31.07
Thomas Anessi
5-22
Moving Ahead into the Past: Historical Contexts in Recent Polish Cinema
2012 June 13
https://doi.org/10.14746/i.2012.20.01
Nataliya Puchenkina
45-63
What is so (Un)Exceptional About Soviet Cinema? The Pragmatics of Soviet Film Exports to Germany and France in the 1920s
2023 January 5
https://doi.org/10.14746/i.2022.41.03
Pavel Skopal
189-199
The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s
2013 January 13
https://doi.org/10.14746/i.2013.22.13
Joanna Wojnicka
137-156
Siergiej Paradżanow – reżyser kina ukraińskiego
2023 October 20
https://doi.org/10.14746/i.2023.34.43.9
Małgorzata Jakubowska, Monika Michałowska
312–323
Turning a blind eye to dying and eroticism: some remarks on contemporary cinema
2018 April 26
https://doi.org/10.14746/i.2017.30.23.
Marek Hendrykowski
266-272
Intertext in Film Adaptation
2013 January 13
https://doi.org/10.14746/i.2013.22.16
Małgorzata Hendrykowska, Marek Hendrykowski
149-160
The first film adaptation of Pan Twardowski
2017 March 15
https://doi.org/10.14746/i.2017.29.9
Julian Bejko
156–160
The cinematographic representation of social frames
2018 December 22
https://doi.org/10.14746/i.2018.32.11
Dejan Durić
97–109
“Her-story”: contemporary female film directors in post-Yugoslav cinema
2018 December 22
https://doi.org/10.14746/i.2018.32.08
Krunoslav Lučić
57–76
Stylistic heritage and tendencies in contemporary Croatian cinema
2018 December 22
https://doi.org/10.14746/i.2018.32.06
Marek Hendrykowski
314-322
Where is our home? The story of a film
2017 March 15
https://doi.org/10.14746/i.2017.29.20
Marek Hendrykowski
39-54
The temple of the new faith. Film images of the construction of the Palace of Culture 1952–1955
2019 January 8
https://doi.org/10.14746/i.2017.31.05
Barbara Lena Gierszewska
203-213
In case of digital history of Polish cinema
2017 March 15
https://doi.org/10.14746/i.2017.29.12
Serhiy Marchenko
57-75
Non-fiction cinema of independent Ukraine
2023 October 20
https://doi.org/10.14746/i.2023.34.43.4
Andrzej Dębski
199-219
Cinemas for Germans in occupied Krakow in comparison with cinemas for Poles: repertoire policy and audience’s film preferences
2023 January 5
https://doi.org/10.14746/i.2022.41.12
Tetiana Mychajłowa
49-56
Triada obrazów akwatycznych jako podstawa integralności kompozycji filmu dokumentalnego Ołeksandra Awszarowa i Switłany Rudiuk Wasz Wasyl
2023 October 20
https://doi.org/10.14746/i.2023.34.43.3
Agata Jankowska
345-358
Images which are not there. The Representations of the Final Solution in the Examples of Son of Saul and Kornblumenblau
2023 October 20
https://doi.org/10.14746/i.2023.34.43.23
Larysa Briukhovetska
9-28
War drama as a living reality
2023 October 20
https://doi.org/10.14746/i.2023.34.43.1
Witold Stok
279-282
Ear to the ground. Searching for ourselves in each other
2023 October 20
https://doi.org/10.14746/i.2023.34.43.17
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