Vol. 21 No. 30 (2017): Docufiction

Vol. 21 No. 30 (2017)

Published 2018 April 26
Docufiction

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITORS:
prof. UAM dr hab. Katarzyna Mąka-Malatyńska; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań
mgr Katarzyna Boratyn; Department of Film Editing, Lodz Film School

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 21, no. 30, year 2017, title Docufiction

Docufiction

Rafał Koschany
5–16
What is a document and does this question have any significance? (In the context of The Five Obstructions by Lars von Trier and Jørgen Leth)
https://doi.org/10.14746/i.2017.30.01.
PDF (Język Polski)
Małgorzata Jakubowska
17–29
Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again
https://doi.org/10.14746/i.2017.30.02.
PDF
Frédéric Dubois
31–44
Interactivity as a key feature redefining documentary reality
https://doi.org/10.14746/i.2017.30.03.
PDF
Iwona Pomianowska
45–64
Modern documentary in the age of virtual reality: Deapening engagement with nonfiction storytelling through technological innovation
https://doi.org/10.14746/i.2017.30.04.
PDF
Katarzyna Boratyn
65–75
Actualization, fragmentation, duration – an attempt to describe temporal perspectives of contemporary documentary
https://doi.org/10.14746/i.2017.30.05.
PDF (Język Polski)
Marek Hendrykowski
77–89
Zelig as docufiction
https://doi.org/10.14746/i.2017.30.06.
PDF (Język Polski)
Monika Talarczyk-Gubała
91–98
Barbara Hammer’s History Lessons as a documentary utopia
https://doi.org/10.14746/i.2017.30.07.
PDF
Agnieszka Powierska
99–110
Life Animated. Autism told, drawn, experienced
https://doi.org/10.14746/i.2017.30.08
PDF (Język Polski)
Michał Piepiórka
111–133
The good, the bad and the ugly. Fuck For Forest by Michał Marczak in the social and media circulation
https://doi.org/10.14746/i.2017.30.09.
PDF (Język Polski)
Urszula Tes
135–150
The Cinema of Presence: an analysis of the relationship between documentary film and performance based on selected examples
https://doi.org/10.14746/i.2017.30.10.
PDF (Język Polski)
Justyna Król
151–164
That Dragon, Cancer – a personal documentary in the form of a video game
https://doi.org/10.14746/i.2017.30.11.
PDF (Język Polski)
Joanna Sikorska
165–175
From reality to virtuality: the use of photogrammetry in the video game The Vanishing of Ethan Carter
https://doi.org/10.14746/i.2017.30.12.
PDF (Język Polski)

Student films

Katarzyna Mąka-Malatyńska
178–193
Documentary school films of the 50s and 60s
https://doi.org/10.14746/i.2017.30.13.
PDF (Język Polski)
Karolina Dzieniszewska
194–202
The poetic realism of a child’s world – small tragedies in the school etudes of Dorota Kędzierzawska
https://doi.org/10.14746/i.2017.30.14
PDF (Język Polski)
Marek Hendrykowski
203–212
The poetics of Klara Kochańska’s film etude Lodgers
https://doi.org/10.14746/i.2017.30.15.
PDF (Język Polski)

Filmmaker workshop

Roderick Coover, Katarzyna Boratyn
215–226
Storytelling in VR, CAVES and other emerging forms: An interview with Roderick Coover by Katarzyna Boratyn
https://doi.org/10.14746/i.2017.30.16.
PDF
Anna Desponds, Anna Szylar
227–246
Camera rolling, action, reaction. Interactive document – study of development prospects in Poland
https://doi.org/10.14746/i.2017.30.17.
PDF (Język Polski)
Jacek Nagłowski
247–257
Virtual reality and realism
https://doi.org/10.14746/i.2017.30.18.
PDF (Język Polski)
Marek Hendrykowski
259–267
Semiotic aspects of virtual reality
https://doi.org/10.14746/i.2017.30.19.
PDF (Język Polski)

Author Gallery

Ewa Ciechanowska, Marcjanna Urbańska
269-280
You will fade, anyway you'll do as you like
PDF (Język Polski)

Varia

Agnieszka Kwiatkowska
282–291
Niosąc ziemię. A documentary as intersemiotic translation
https://doi.org/10.14746/i.2017.30.20.
PDF (Język Polski)
Marek Hendrykowski
292–301
An Actor as a Digital Marionet, or Edward Gordon Craig in the Cinema of the Future
https://doi.org/10.14746/i.2017.30.21.
PDF (Język Polski)
Anna Flagmańska
302–311
A television auteur? The case of Matthew Weiner
https://doi.org/10.14746/i.2017.30.22.
PDF (Język Polski)
Małgorzata Jakubowska, Monika Michałowska
312–323
Turning a blind eye to dying and eroticism: some remarks on contemporary cinema
https://doi.org/10.14746/i.2017.30.23.
PDF

Notes about authors

. .
323-326
Notes about authors
PDF (Język Polski)
. .
327-330
Noty o autorach
PDF (Język Polski)