Vol. 23 No. 2 (2018)

Vol. 23 No. 2 (2018)

Published 2018 April 3
Full Issue
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Articles

Elżbieta Winiecka
13–33
A CREATOR IN THE AGE OF THE INTERNET BASED ON THE EXAMPLES OF POLISH E-LITERATURE
https://doi.org/10.14746/p.2018.23.18693
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Mária Bátorová
35–46
THE MYTH OF SACRIFICE AND THE MYTH OF TRUTH IN SLOVAK LITERATURE AFTER THE SECOND WORLD WAR (J. C. HRONSKÝ: ANDREAS BÚR MAJSTER AND DOMINIK TATARKA: FARSKÁ REPUBLIKA AND ESSAYS)
https://doi.org/10.14746/p.2018.23.18694
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Olena Haleta
47-62
A WRITER OR A CREATOR OF THE TEXTUAL WORLD: ANTHOLOGY AS A MIRROR OF THE POST-WWII UKRAINIAN LITERATURE
https://doi.org/10.14746/p.2018.23.18695
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Paweł Tomczok
63–73
THE MYTHOLOGIES OF THE HISTORICAL NOVEL (BASED ON EXAMPLES FROM POLISH LITERATURE AFTER 1945)
https://doi.org/10.14746/p.2018.23.18697
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Sylwia Nowak-Bajcar
75–89
IS THE WRITER A LOAFER OR ON THE SOCIAL BENEFITS OF DOING NOTHING. THE PROSE OF SRĐAN VALJAREVIĆ
https://doi.org/10.14746/p.2018.23.18698
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Ałła Tatarenko
91-105
PROVOCATION, SACRILEGE, INTERTEXTUALITY: STRATEGIES OF (AUTO)MYTHOLOGIZATION IN THE CREATIVE WORKS OF SAVA DAMJANOV
https://doi.org/10.14746/p.2018.23.18699
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Siergiej Kowalow
107-126
PROPHET – JESTER – LEGEND: AUTHOR’S TRAJECTORY OF ANATOL SYS
https://doi.org/10.14746/p.2018.23.18700
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Anna Przybysz
127-137
RECONFIGURATION. DMITRY GLUKHOVSKY AND REALISM
https://doi.org/10.14746/p.2018.23.18701
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Marta Tomczok
139-150
CZAJKA’S MYTHOLOGIES
https://doi.org/10.14746/p.2018.23.18702
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Josef Dohnal, Assel Abaganova
151-172
MYTH, WORLD TIME AND SPACE MODELS IN THE POSTMODERN WORKS OF V. PELEVIN
https://doi.org/10.14746/p.2018.23.18704
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Ulyana Fedoriv
173-186
MODIFICATION OF THE SOCIALIST REALISTIC CANON OF UKRAINIAN LITERATURE: PROBLEM OF DEMYTHOLOGIZATION
https://doi.org/10.14746/p.2018.23.18706
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Igor Perišić
187-199
COMIC DEGRADATION OF HIERARCHY OF LITERARY GENRES AND FIGURE OF THE AUTHOR IN THE NOVELS BY MIRJANA ĐURĐEVIĆ
https://doi.org/10.14746/p.2018.23.18707
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Tatjana Rosić
201-212
UNFINISHED CHESS GAME: DEMISTIFICATION OF THE FIGURE OF THE VICTIM AND SUBVERSION OF THE DISCOURSE OF RESPONSIBILITY IN THE NOVEL TODAY IS WEDNESDAY BY DAVID ALBAHARI
https://doi.org/10.14746/p.2018.23.18708
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Anna Sobiecka
213-226
MYTHOLOGIES OF AN ARTIST OF THE THEATRE. KAZIMIERZ DEJ MEK AND JERZY GROTOWSKI
https://doi.org/10.14746/p.2018.23.18726
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Tibor Žilka
227-237
PAVOL STRAUSS – A GENIUS OUTSIDER
https://doi.org/10.14746/p.2018.23.18709
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Kornelia Ćwiklak
239-258
READING THE WORLD. HENRYK WANIEK – AUTHOR, PAINTER, OUTSIDER
https://doi.org/10.14746/p.2018.23.18710
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Daria Nowicka
259-278
ARTIST, MYTH AND METAPHOR. ABOUT “TREŚĆ UCZUCIOWA REWOLUCJI” BY ANDRZEJ WRÓBLEWSKI
https://doi.org/10.14746/p.2018.23.18711
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Wacław Forajter
279-295
THE SONS OF STAŚ. COLONIAL MASCULINITIES IN FERDYNAND ANTONI OSSENDOWSKI’S YOUTH NOVELS
https://doi.org/10.14746/p.2018.23.18712
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Joanna Krenz
297-316
THE BIRTH OF THE AVANT-GARDE: THE 1980S AS A TURNING POINT IN THE HISTORY OF CHINESE POETRY
https://doi.org/10.14746/p.2018.23.18713
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Hanna Kelner
317-331
LITERARY IMITATION IN SERVICE OF CULTURAL MEMORY – THE COMPARATIVE ANALYSIS OF “NICHIRIN” BY YOKOMITSU RIICHI AND “SALAMMBÔ” BY GUSTAVE FLAUBERT
https://doi.org/10.14746/p.2018.23.18714
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Review articles

Maciej Junkiert
333-343
ROMANTYZM I POSTKOLONIALIZM W EUROPIE ŚRODKOWOWSCHODNIEJ
https://doi.org/10.14746/p.2018.23.18716
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Kinga Piotrowiak-Junkiert
345-352
SŁOWA UTRACONE, SŁOWA ODNALEZIONE
https://doi.org/10.14746/p.2018.23.18717
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Monika Adamická
353-358
IMAGOLOGY – ETHNIC STEREOTYPES OF THE V4 COUNTRIES
https://doi.org/10.14746/p.2018.23.18718
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Agnieszka Matkowska
359-363
O NOWYCH TENDENCJACH W BADANIACH NAD TRADYCJĄ USTNĄ. NA KANWIE KSIĄŻKI RAYMONDA F. PERSONA FROM CONVERSATION TO ORAL TRADITION
https://doi.org/10.14746/p.2018.23.18719
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