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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Matej Bobrik
207-230
Autobiographical documentary. The author's exploration of the film "Self (less) -Portrait"
2014 June 13
https://doi.org/10.14746/i.2014.24.23
Marek Hendrykowski
67-77
Methodology of New Film History
2015 June 13
https://doi.org/10.14746/i.2015.26.06
Liubov Krupnyk
211-226
Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s
2023 October 20
https://doi.org/10.14746/i.2023.34.43.13
Katarzyna Lisiecka
191-204
Angelologic treatise between the arts. On “The Wings of Desire” by Wim Wenders
2009 June 13
https://doi.org/10.14746/i.2009.13.14.15
Andrzej Szpulak
334-341
Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema
2013 January 13
https://doi.org/10.14746/i.2013.21.27
Adam Domalewski
53-63
Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
2015 January 13
https://doi.org/10.14746/i.2015.25.03
Andrzej Szpulak
220-231
Camera and poeta doctus? About Edward Żebrowski’s Films
2011 January 13
https://doi.org/10.14746/i.2011.17.18.12
Monika Górska
322-325
The Story With No Punchline
2009 June 13
https://doi.org/10.14746/i.2009.13.14.25
Marek Hendrykowski
5-14
Witkacy, Cocteau and others. The amateur films of August Zamoyski
2017 March 15
https://doi.org/10.14746/i.2017.29.1
Piotr Marciniak
21-28
Polska Kronika Filmowa as a source for research on contemporary Polish architecture
2019 January 8
https://doi.org/10.14746/i.2017.31.03
Spela Zajec
161-173
Film production between “global” and “local”: insights from Bosna and Herzegovina
2013 January 13
https://doi.org/10.14746/i.2013.22.11
Małgorzata Smoleń
193-205
At Warsaw: imaginations and reality. Documentary stories about the capital, its residents and newcomers called “provincial jars”
2013 January 13
https://doi.org/10.14746/i.2013.21.14
Tomić Janica
5–14
Time networks: history and synchronicity in contemporary Croatian cinema
2018 December 22
https://doi.org/10.14746/i.2018.32.01
Denis Viren
277-280
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
2014 June 13
https://doi.org/10.14746/i.2014.24.27
Lucie Česálková
41-50
Filmmakers to Themselves? Czech Documentary Cinema After 2000
2014 June 13
https://doi.org/10.14746/i.2014.24.4
Piotr Kurpiewski
5-12
Architectural space of Jan Rybkowski’s Warszawska premiera and Aleksander Ford’s Młodość Chopina. The film vision of 19th-century cities in the times of socialist realism
2019 January 8
https://doi.org/10.14746/i.2017.31.01
Konrad Klejsa
269-275
Surreal Dreams of a “Creative City” (or: How Camerimage Festival Tried to Convince Łódź to Stop Worrying and Love Modern Architecture)
2015 June 13
https://doi.org/10.14746/i.2015.26.23
Marek Hendrykowski
161–169
Features of film narrative
2018 December 22
https://doi.org/10.14746/i.2018.32.12
Balázs Varga
175-187
Tradition and Modernization. Contemporary Hungarian Popular Cinema
2013 January 13
https://doi.org/10.14746/i.2013.22.12
Roman Włodek
85-101
The Story of a Sin, or a protocol of crimes and calamities
2017 March 15
https://doi.org/10.14746/i.2017.29.5
Andrzej Szpulak
99-106
"The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen
2014 June 13
https://doi.org/10.14746/i.2014.24.10
Patrycja Rojek
280-288
Mythical hero in Piotr Złotorowicz’s Mother Earth
2017 March 15
https://doi.org/10.14746/i.2017.29.17
Barbara Lena Gierszewska
157-172
Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku
2023 October 20
https://doi.org/10.14746/i.2023.34.43.10
Wojciech Otto
73-85
Krzysztof Kieślowski’s film props in the triptych “Three Colours”
2019 March 25
https://doi.org/10.14746/i.2018.33.07
Monika Talarczyk-Gubała
91–98
Barbara Hammer’s History Lessons as a documentary utopia
2018 April 26
https://doi.org/10.14746/i.2017.30.07.
151 - 175 of 226 items
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