No. 32 (2019)

No. 32 (2019)

Published 2019 December 15
1-6
Contents
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Editorial

Anna Krajewska
7-14
The Entangled Worlds of Literature and Film
https://doi.org/10.14746/pt.2019.32.0
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Dissertations

Mikołaj Jazdon
15-44
Actors and Shakespeare or About a Certain Motif in Polish Film
https://doi.org/10.14746/pt.2019.32.1
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Anna Igielska
45-75
The Plot of a Riddle. On Luchino Visconti’s Vaghe stelle dell’Orsa
https://doi.org/10.14746/pt.2019.32.2
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Krzysztof Kozłowski
77-92
A Poem on Autumn. Frantz by François Ozon
https://doi.org/10.14746/pt.2019.32.3.
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Piotr Pławuszewski
93-114
“Frank, you still there?”. On books and letters in David Jones’ 84 Charing Cross Road (1987)
https://doi.org/10.14746/pt.2019.32.4
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Mariusz Guzek
115-128
The Unwanted Presence of the Author – Václav Havel in Film
https://doi.org/10.14746/pt.2019.32.5
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Marek Hendrykowski
129-141
A few Reflections on Rashomon
https://doi.org/10.14746/pt.2019.32.6
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Daria Mazur
143-166
Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform
https://doi.org/10.14746/pt.2019.32.7
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Małgorzata Hendrykowska
167-178
Particular Affinities between Literature and Film in Stefania Zahorska’s Reflections
https://doi.org/10.14746/pt.2019.32.8
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Grażyna Gajewska
179-196
Cyborgs – Literary and Film Figures of Interactive Discourse
https://doi.org/10.14746/pt.2019.32.9
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Ewa Górecka
197–211
Other Places: Cinematic Images of Antiquarian Bookshops as Heterotopias
https://doi.org/10.14746/pt.2019.32.10
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Barbara Lena Gierszewska
213-238
Libraries and Librarians in the Film Space (Representations and Connotations)
https://doi.org/10.14746/pt.2019.32.11
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Marcin Kowalczyk
239-255
Man of Print Culture in the Future World – Science Fiction Cinema and Marshall McLuhan’s Media Theory
https://doi.org/10.14746/pt.2019.32.12
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Arkadiusz Lewicki
257-272
The Easy Route to Melancholy. 451 degrees Fahrenheit by Ray Bradbury and its Film Adaptations
https://doi.org/10.14746/pt.2019.32.13
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Maciej Pietrzak
273-284
O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin
https://doi.org/10.14746/pt.2019.32.14
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Wojciech Otto
285-300
Reading a Poet – Seeing Poetry. On Wojaczek by Lech Majewski
https://doi.org/10.14746/pt.2019.32.15
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Andrzej Szpulak
301-322
Film Incarnations of Krzysztof Kamil Baczyński
https://doi.org/10.14746/pt.2019.32.16
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Anna Śliwińska
323-339
Shakespeare in Love and Upstart Crow – Two Fictional Biographies of William Shakespeare
https://doi.org/10.14746/pt.2019.32.17
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Interpretations

Roksana Pilawska
417–431
Dirty (un)Romantic story. An Analysis of Aesthetic Aspects in the Film Adaptation of Pride and Prejudice Directed by Joe Wright
https://doi.org/10.14746/pt.2019.32.23
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Patrycja Rojek
401–416
Aesthetic Concretization in Tom Ford’s Nocturnal Animals (2016)
https://doi.org/10.14746/pt.2019.32.22
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Marek Kaźmierczak
383–400
Atrophy of Literature. Remarks about the Semiotic Functions of Books in the Film Sara
https://doi.org/10.14746/pt.2019.32.21
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Piotr Zwierzchowski
371–381
The Cinema and Two Types of Readers. About Michael Grandage’s Genius
https://doi.org/10.14746/pt.2019.32.20
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Justyna Czaja
357–370
A Drawn Poet – about Andrei Khrzhanovsky’s A Pushkin Trilogy
https://doi.org/10.14746/pt.2019.32.19
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Adam Domalewski
343–355
Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree
https://doi.org/10.14746/pt.2019.32.18
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Translations

Krzysztof Kozłowski, Marek Kasprzyk; Verner Faulstich
435–451
Theory of the Social System of Literature Circulation
https://doi.org/10.14746/pt.2019.32.24
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Reminiscences

Piotr Gierowski
455–467
The Structural Bohemistics of Professor Jacek Baluch (1940–2019)
https://doi.org/10.14746/pt.2019.32.25
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Note about the authors

468-482
Notes about authors
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