Vol. 27 No. 36 (2020)

Published 2021 March 15

Spaces in Film

Spaces in Film

Marek Hendrykowski

5-19

Stereotypes in symbolic space

https://doi.org/10.14746/i.2020.36.01

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Daria Mazur

21-40

Between cosmopolitanism and Nazism: the contexts of the symbolic space in four movies by the German cinematographer Franz Weihmayr

https://doi.org/10.14746/i.2020.36.02

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Karolina Kostyra

41-55

The Dream Closet. Children’s hiding places in Steven Spielberg’s E.T. the Extra-Terrestrial

https://doi.org/10.14746/i.2020.36.03

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Krystian Przybylski

57-69

[“Close the door” or using the cinematic space to evoke the sacred on the example of Cristi Puiu’s Sieranevada

https://doi.org/10.14746/i.2020.36.04

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Adam Domalewski

71-92

Between minimalism and melodrama. Film space in the Romanian New Wave cinema

https://doi.org/10.14746/i.2020.36.05

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Grażyna Świętochowska

93-116

The film environment as a sphere of knowledge. On Ray and Charles Eames films

https://doi.org/10.14746/i.2020.36.06

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Krzysztof Kozłowski

117-128

“Jupiter and Beyond the Infinite”. 2001: A Space Odyssey by Stanley Kubrick]

https://doi.org/10.14746/i.2020.36.07

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Marcin Maron

129–142

Functions of screen space in shots by Mieczysław Jahoda in the example of his first feature films: Zimowy zmierzch and Pętla

https://doi.org/10.14746/i.2020.36.08

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Iga Pękala

143–155

The space outside the frame – about the sensual dimension of film shots by Emmanuel Lubezki

https://doi.org/10.14746/i.2020.36.09

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Marek Hendrykowski

157–167

A difficult space: Robert Stando’s Strach ma wielkie oczy

https://doi.org/10.14746/i.2020.36.10

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Marek Kosma Cieśliński

169–181

Destruction as a material. Iconography of the ruins of Warsaw in Polish documentary cinema after the Second World War

https://doi.org/10.14746/i.2020.36.11

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Dominik Wierski

183–196

Boxing in the film frame. Selected staging strategies in Polish films about boxing from the 1960s and 1970s

https://doi.org/10.14746/i.2020.36.12

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Wojciech Sitek

197–214

The color of money. Michael Mann’s film style

https://doi.org/10.14746/i.2020.36.13

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Bogusław Skowronek

215–223

The verbal layer of the soundtrack as an element of co-construction of space in film

https://doi.org/10.14746/i.2020.36.14

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Hanna Przybysz

225–245

Neurobiology in search of the universality in the perception of art. V. S. Ramachandran and W. Hirstein’s laws of aesthetic experience in relation to a work of film art. Case study: Michael Almereyda’s Nadja]

https://doi.org/10.14746/i.2020.36.15

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Barbara Lena Gierszewska

247–258

„Do not forget me”. About film-economic space in the history of Wrocław 1896-1945

https://doi.org/10.14746/i.2020.36.16

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Author Gallery

Marcin Kochowicz

259-278

Bogdan Marciniak (1958–2018)

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Varia

Zbigniew Kloch

281–288

Andrzej Stasiuk: text-based figures of experience

https://doi.org/10.14746/i.2020.36.17

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Paweł Sitkiewicz

289–301

Martians. Borowczyk and Lenica on International Experimental Film Competition in Brussels

https://doi.org/10.14746/i.2020.36.18

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Notes about authors

Redakcja Images

307-309

Noty o autorach

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Redakcja Images

307-309

Notes about authors

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