Vol. 27 No. 36 (2020): Spaces in Film

Vol. 27 No. 36 (2020)

Published 2020 December 15
Spaces in Film

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

GUEST EDITOR:
prof. UAM dr hab. Wojciech Otto; Institute of Film, Media and Audiovisual Arts, Adam Mickiewicz University, Poznań

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 27, no. 36, year 2020, title Spaces in Film

Spaces in Film

Marek Hendrykowski
5-19
Stereotypes in symbolic space
https://doi.org/10.14746/i.2020.36.01
PDF (Język Polski)
Daria Mazur
21-40
Between cosmopolitanism and Nazism: the contexts of the symbolic space in four movies by the German cinematographer Franz Weihmayr
https://doi.org/10.14746/i.2020.36.02
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Karolina Kostyra
41-55
The Dream Closet. Children’s hiding places in Steven Spielberg’s E.T. the Extra-Terrestrial
https://doi.org/10.14746/i.2020.36.03
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Krystian Przybylski
57-69
[“Close the door” or using the cinematic space to evoke the sacred on the example of Cristi Puiu’s Sieranevada
https://doi.org/10.14746/i.2020.36.04
PDF (Język Polski)
Adam Domalewski
71-92
Between minimalism and melodrama. Film space in the Romanian New Wave cinema
https://doi.org/10.14746/i.2020.36.05
PDF (Język Polski)
Grażyna Świętochowska
93-116
The film environment as a sphere of knowledge. On Ray and Charles Eames films
https://doi.org/10.14746/i.2020.36.06
PDF (Język Polski)
Krzysztof Kozłowski
117-128
“Jupiter and Beyond the Infinite”. 2001: A Space Odyssey by Stanley Kubrick]
https://doi.org/10.14746/i.2020.36.07
PDF (Język Polski)
Marcin Maron
129–142
Functions of screen space in shots by Mieczysław Jahoda in the example of his first feature films: Zimowy zmierzch and Pętla
https://doi.org/10.14746/i.2020.36.08
PDF
Iga Pękala
143–155
The space outside the frame – about the sensual dimension of film shots by Emmanuel Lubezki
https://doi.org/10.14746/i.2020.36.09
PDF (Język Polski)
Marek Hendrykowski
157–167
A difficult space: Robert Stando’s Strach ma wielkie oczy
https://doi.org/10.14746/i.2020.36.10
PDF (Język Polski)
Marek Kosma Cieśliński
169–181
Destruction as a material. Iconography of the ruins of Warsaw in Polish documentary cinema after the Second World War
https://doi.org/10.14746/i.2020.36.11
PDF (Język Polski)
Dominik Wierski
183–196
Boxing in the film frame. Selected staging strategies in Polish films about boxing from the 1960s and 1970s
https://doi.org/10.14746/i.2020.36.12
PDF (Język Polski)
Wojciech Sitek
197–214
The color of money. Michael Mann’s film style
https://doi.org/10.14746/i.2020.36.13
PDF (Język Polski)
Bogusław Skowronek
215–223
The verbal layer of the soundtrack as an element of co-construction of space in film
https://doi.org/10.14746/i.2020.36.14
PDF (Język Polski)
Hanna Przybysz
225–245
Neurobiology in search of the universality in the perception of art. V. S. Ramachandran and W. Hirstein’s laws of aesthetic experience in relation to a work of film art. Case study: Michael Almereyda’s Nadja]
https://doi.org/10.14746/i.2020.36.15
PDF (Język Polski)
Barbara Lena Gierszewska
247–258
„Do not forget me”. About film-economic space in the history of Wrocław 1896-1945
https://doi.org/10.14746/i.2020.36.16
PDF (Język Polski)

Author Gallery

Marcin Kochowicz
259-278
Bogdan Marciniak (1958–2018)
PDF (Język Polski)

Varia

Zbigniew Kloch
281–288
Andrzej Stasiuk: text-based figures of experience
https://doi.org/10.14746/i.2020.36.17
PDF (Język Polski)
Paweł Sitkiewicz
289–301
Martians. Borowczyk and Lenica on International Experimental Film Competition in Brussels
https://doi.org/10.14746/i.2020.36.18
PDF (Język Polski)

Notes about authors

Redakcja Images
307-309
Noty o autorach
PDF (Język Polski)
Redakcja Images
307-309
Notes about authors
PDF