Vol. 28 No. 37 (2020): Science Fiction: The Future is Present

Vol. 28 No. 37 (2020)

Published 2021 March 31
Science Fiction: The Future is Present

Science Fiction: The Future is Present

Grażyna Gajewska
5-19
Thinking fantastic. From science fiction to posthumanism
https://doi.org/10.14746/i.2020.37.01
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Agnieszka Kamrowska
21-34
Electronic hunter: the cyborg in mainstream science fiction films
https://doi.org/10.14746/i.2020.37.02
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Konrad Klejsa
35-60
“Man is something that shall be overcome“. The histori-osophical discourse of 2001: A Space Odyssey
https://doi.org/10.14746/i.2020.37.03
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Mariusz Guzek
61-76
Czechoslovakian time travel – from a filmed nature lesson to the normalization of crazy comedy
https://doi.org/10.14746/i.2020.37.04
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Maciej Peplinski
77-97
Genre at service of the doctrine. Ideology in the East-German-Polish co-production The Silent Star
https://doi.org/10.14746/i.2020.37.05
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Robert Dudziński
99-125
Science fiction in Polish film journalism at the turn of the 1950s and 1960s
https://doi.org/10.14746/i.2020.37.06
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Maciej Pietrzak
127-139
David Avidan’s Message from the Future. Nuclear fantasies of the galactic poet
https://doi.org/10.14746/i.2020.37.07
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Adrianna Woroch
141-150
In a world of a colorful (anti)utopia. About animated cyborgs in The Congress by Ari Folman
https://doi.org/10.14746/i.2020.37.08
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Krzysztof Loska
151-166
Posthuman echoes, apocalyptic tones and animal noises in Bong Joon-ho’s films
https://doi.org/10.14746/i.2020.37.09
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Bolesław Racięski
167-175
The future has already happened. Dystopias in contemporary Latin American science fiction cinema
https://doi.org/10.14746/i.2020.37.10
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Katarzyna Lisiecka
177-205
À rebours chord. On music and “spiritual intelligence” in Christopher Nolan’s movie Interstellar
https://doi.org/10.14746/i.2020.37.11
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Marcin Kowalczyk
207-220
The brain as the new universe – reflections on Inception by Christopher Nolan
https://doi.org/10.14746/i.2020.37.12
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Artur Majer
221-232
Narrative by time. The Analysis of narrative structure in Denis Villeneuve’s Arrival (2016)
https://doi.org/10.14746/i.2020.37.13
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Patrycja Rojek
234-246
The mythical figure of Cassandra in science fiction films
https://doi.org/10.14746/i.2020.37.14
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Filmmaker workshop

Katarzyna Taras
249-271
Krzysztof Ptak. Eyes and faces. Kornblumenblau – 300 miles to heaven – Cynga
https://doi.org/10.14746/i.2020.37.15
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Author Gallery

Martyna Patora
273-282
C.h.a.o.s
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Varia

Vesi Vuković
285-307
Of bees, birds, trees, and women: iconography, superstition and victimization of female characters in Yugoslav New Film
https://doi.org/10.14746/i.2020.37.16
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Kamil Lipiński
308-316
Tele-kiss. Nam-June Paik’s expanded media in the light of Zen Buddhism
https://doi.org/10.14746/i.2020.37.17
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Joanna Pigulak
317-327
Features of the reactive and anticipating sounds in video games
https://doi.org/10.14746/i.2020.37.18
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Małgorzata Mączko
328-337
Crying in Norwegian. Skam as transmedia storytelling for international audiences
https://doi.org/10.14746/i.2020.37.19
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Krzysztof Czyżak
338-348
The evolution of comic book adaptations – ‘superhero movie’ as a genre
https://doi.org/10.14746/i.2020.37.20
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Mariola Marczak
349-363
Radosław Piwowarski’s nostalgic trip down the memory lane. The process of creating collective memory and „the realism of memory” in his storytelling about the Valley of Childhood and Youth
https://doi.org/10.14746/i.2020.37.21
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Notes about authors

Redakcja Images
365-369
Noty o autorach
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Redakcja Images
369-373
Notes about authors
PDF