Vol. 17 No. 26 (2015): Messages from the Past

Vol. 17 No. 26 (2015)

Published 2016 March 24
Messages from the Past
volume editors: Patrycja Rojek, Andrzej Szpulak
Rafał Syska
5-14
(Re)construction of Memories of the Revolution in Contemporary Romanian Cinema
https://doi.org/10.14746/i.2015.26.01
PDF (Język Polski)
Katarzyna Jędraszczyk, Władimir Rabinowicz
15-25
The Image of Alexander Kolchak and the Civil War of 1917 in Admiral, and contemporary Russian Historical Consciousness
https://doi.org/10.14746/i.2015.26.02
PDF (Język Polski)
Marek Kaźmierczak
27-37
Collective Memory and Colloquial Aesthetic Experience. Remarks on the Functions of Digitalized Paintings in Second Life
https://doi.org/10.14746/i.2015.26.03
PDF
Anna Estera Mrozewicz
39-57
Memory grids: Forgetting East Berlin in Krass Clement’s Photobook Venten på i går. Auf Gestern warten (2012)
https://doi.org/10.14746/i.2015.26.04
PDF
Marta Giec
59-66
Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation
https://doi.org/10.14746/i.2015.26.05
PDF (Język Polski)
Marek Hendrykowski
67-77
Methodology of New Film History
https://doi.org/10.14746/i.2015.26.06
PDF (Język Polski)
Patrycja Rojek, Andrzej Szpulak
79-93
Jungle and Chicago. Patrycja Rojek and Andrzej Szpulak talking with a documentary maker, an independent producer and director of the NNW Festival - Arkadiusz Gołębiewski.
https://doi.org/10.14746/i.2015.26.07
PDF (Język Polski)
Zuzanna Lewandowska
95-106
The Postmodern Vision of the Warsaw Uprising in Jan Komasa’s City 44
https://doi.org/10.14746/i.2015.26.08
PDF (Język Polski)
Andrzej Szpulak
107-118
Róża by Wojciech Smarzowski: Portrait of a Culturally Rooted Love
https://doi.org/10.14746/i.2015.26.09
PDF (Język Polski)
Piotr Pomostowski
119-127
To Preserve Memory, to Save a Soul, to Save Art: Th e Saving Role of Chopin’s Music in Roman Polanski’s The Pianist
https://doi.org/10.14746/i.2015.26.10
PDF (Język Polski)
Daria Mazur
129-138
Yiddish Cinema in the Prewar Polish Lands: The Socio-political and Cultural Contexts
https://doi.org/10.14746/i.2015.26.11
PDF (Język Polski)
Justyna Czaja
139-150
In Search of Traces of the Past: Comics as a Medium for History Great and Small
https://doi.org/10.14746/i.2015.26.12
PDF (Język Polski)
Maciej Pietrzak
151-159
Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort
https://doi.org/10.14746/i.2015.26.13
PDF (Język Polski)
Krzysztof Antczak, Dan Tudor Ionescu
161-175
Reading Plutarch of Chaeronea: A Cinematic Portrait of the Youth of Alexander the Great as Envisaged by Robert Rossen and Oliver Stone
https://doi.org/10.14746/i.2015.26.14
PDF
Patrycja Rojek
177-187
Penelope and Her Cinematic Incarnations
https://doi.org/10.14746/i.2015.26.15
PDF (Język Polski)

Student films

Zuzanna Kwiatkowska
191-196
Vanitas vanitatum et omnia vanitas: Filip Bajon’s Student Etudes
https://doi.org/10.14746/i.2015.26.16
PDF (Język Polski)
Joanna Sikorska
197-204
The Image of The Polish People’s Republic Present in Bartosz Warwas’ Mc. Człowiek z winylu and Jaskółka
https://doi.org/10.14746/i.2015.26.17
PDF (Język Polski)
Agnieszka Powierska
205-211
A Myth about a Flush of Emotions
https://doi.org/10.14746/i.2015.26.18
PDF (Język Polski)

Filmmaker workshop

Michał Bukojemski
215-223
Reflections from the Rostrum
https://doi.org/10.14746/i.2015.26.19
PDF (Język Polski)
Maciej Kozłowski
225-235
The World Before the Shoah: The Mystery of Archival Film Footage As Part of Contemporary Cinematic Structure Based on the Example of Jolanta Dylewska’s Po-Lin. Remains of Memory
https://doi.org/10.14746/i.2015.26.20
PDF (Język Polski)

Author Gallery

Piotr Zbierski
237-259
Family
https://doi.org/10.14746/i.2015.26.21
PDF (Język Polski)

Varia

Marek Hendrykowski
262-269
Tarkowski in Łódź
https://doi.org/10.14746/i.2015.26.22
PDF (Język Polski)
Konrad Klejsa
269-275
Surreal Dreams of a “Creative City” (or: How Camerimage Festival Tried to Convince Łódź to Stop Worrying and Love Modern Architecture)
https://doi.org/10.14746/i.2015.26.23
PDF
Ewa Ciszewska
276-282
The Se-Ma-For Film Studio from 1990 to 1999
https://doi.org/10.14746/i.2015.26.24
PDF
Piotr Pławuszewski
282-290
Movie Director Exercise. Władysław Ślesicki and a Film School (1950–1955)
https://doi.org/10.14746/i.2015.26.25
PDF (Język Polski)
Piotr Zwierzchowski
291-298
The People of Nowa Huta. Two films by Kazimierz Karabasz
https://doi.org/10.14746/i.2015.26.26
PDF (Język Polski)
Justyna Sulejewska
298-303
Between Story and Film Adaptation: A Few Insights From a Viewer
https://doi.org/10.14746/i.2015.26.27
PDF (Język Polski)
Paweł Sitkiewicz
304-311
Scientist and Wizard. The Vicissitudes of Maestro Starewicz
https://doi.org/10.14746/i.2015.26.28
PDF (Język Polski)
Marek Hendrykowski
311-316
Methodology of New Film History
https://doi.org/10.14746/i.2015.26.29
PDF (Język Polski)
Marek Hendrykowski
317-324
The Montgolfier Brothers’ Interrupted Breakfast
https://doi.org/10.14746/i.2015.26.30
PDF (Język Polski)