Vol. 17 No. 26 (2015): Messages from the Past

Vol. 17 No. 26 (2015)

Published 2016 March 24
Messages from the Past

EDITOR-IN-CHIEF:
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

GUEST EDITORS:
mgr Patrycja Rojek; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań
prof. UAM dr hab. Andrzej Szpulak; Department of Film, Television and New Media, Adam Mickiewicz University, Poznań

 

 

Journal cover Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, volume 17, no. 26, year 2015, title Messages from the Past
Rafał Syska
5-14
(Re)construction of Memories of the Revolution in Contemporary Romanian Cinema
https://doi.org/10.14746/i.2015.26.01
PDF (Język Polski)
Katarzyna Jędraszczyk, Władimir Rabinowicz
15-25
The Image of Alexander Kolchak and the Civil War of 1917 in Admiral, and contemporary Russian Historical Consciousness
https://doi.org/10.14746/i.2015.26.02
PDF (Język Polski)
Marek Kaźmierczak
27-37
Collective Memory and Colloquial Aesthetic Experience. Remarks on the Functions of Digitalized Paintings in Second Life
https://doi.org/10.14746/i.2015.26.03
PDF
Anna Estera Mrozewicz
39-57
Memory grids: Forgetting East Berlin in Krass Clement’s Photobook Venten på i går. Auf Gestern warten (2012)
https://doi.org/10.14746/i.2015.26.04
PDF
Marta Giec
59-66
Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation
https://doi.org/10.14746/i.2015.26.05
PDF (Język Polski)
Marek Hendrykowski
67-77
Methodology of New Film History
https://doi.org/10.14746/i.2015.26.06
PDF (Język Polski)
Patrycja Rojek, Andrzej Szpulak
79-93
Jungle and Chicago. Patrycja Rojek and Andrzej Szpulak talking with a documentary maker, an independent producer and director of the NNW Festival - Arkadiusz Gołębiewski.
https://doi.org/10.14746/i.2015.26.07
PDF (Język Polski)
Zuzanna Lewandowska
95-106
The Postmodern Vision of the Warsaw Uprising in Jan Komasa’s City 44
https://doi.org/10.14746/i.2015.26.08
PDF (Język Polski)
Andrzej Szpulak
107-118
Róża by Wojciech Smarzowski: Portrait of a Culturally Rooted Love
https://doi.org/10.14746/i.2015.26.09
PDF (Język Polski)
Piotr Pomostowski
119-127
To Preserve Memory, to Save a Soul, to Save Art: Th e Saving Role of Chopin’s Music in Roman Polanski’s The Pianist
https://doi.org/10.14746/i.2015.26.10
PDF (Język Polski)
Daria Mazur
129-138
Yiddish Cinema in the Prewar Polish Lands: The Socio-political and Cultural Contexts
https://doi.org/10.14746/i.2015.26.11
PDF (Język Polski)
Justyna Czaja
139-150
In Search of Traces of the Past: Comics as a Medium for History Great and Small
https://doi.org/10.14746/i.2015.26.12
PDF (Język Polski)
Maciej Pietrzak
151-159
Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort
https://doi.org/10.14746/i.2015.26.13
PDF (Język Polski)
Krzysztof Antczak, Dan Tudor Ionescu
161-175
Reading Plutarch of Chaeronea: A Cinematic Portrait of the Youth of Alexander the Great as Envisaged by Robert Rossen and Oliver Stone
https://doi.org/10.14746/i.2015.26.14
PDF
Patrycja Rojek
177-187
Penelope and Her Cinematic Incarnations
https://doi.org/10.14746/i.2015.26.15
PDF (Język Polski)

Student films

Zuzanna Kwiatkowska
191-196
Vanitas vanitatum et omnia vanitas: Filip Bajon’s Student Etudes
https://doi.org/10.14746/i.2015.26.16
PDF (Język Polski)
Joanna Sikorska
197-204
The Image of The Polish People’s Republic Present in Bartosz Warwas’ Mc. Człowiek z winylu and Jaskółka
https://doi.org/10.14746/i.2015.26.17
PDF (Język Polski)
Agnieszka Powierska
205-211
A Myth about a Flush of Emotions
https://doi.org/10.14746/i.2015.26.18
PDF (Język Polski)

Filmmaker workshop

Michał Bukojemski
215-223
Reflections from the Rostrum
https://doi.org/10.14746/i.2015.26.19
PDF (Język Polski)
Maciej Kozłowski
225-235
The World Before the Shoah: The Mystery of Archival Film Footage As Part of Contemporary Cinematic Structure Based on the Example of Jolanta Dylewska’s Po-Lin. Remains of Memory
https://doi.org/10.14746/i.2015.26.20
PDF (Język Polski)

Author Gallery

Piotr Zbierski
237-259
Family
https://doi.org/10.14746/i.2015.26.21
PDF (Język Polski)

Varia

Marek Hendrykowski
262-269
Tarkowski in Łódź
https://doi.org/10.14746/i.2015.26.22
PDF (Język Polski)
Konrad Klejsa
269-275
Surreal Dreams of a “Creative City” (or: How Camerimage Festival Tried to Convince Łódź to Stop Worrying and Love Modern Architecture)
https://doi.org/10.14746/i.2015.26.23
PDF
Ewa Ciszewska
276-282
The Se-Ma-For Film Studio from 1990 to 1999
https://doi.org/10.14746/i.2015.26.24
PDF
Piotr Pławuszewski
282-290
Movie Director Exercise. Władysław Ślesicki and a Film School (1950–1955)
https://doi.org/10.14746/i.2015.26.25
PDF (Język Polski)
Piotr Zwierzchowski
291-298
The People of Nowa Huta. Two films by Kazimierz Karabasz
https://doi.org/10.14746/i.2015.26.26
PDF (Język Polski)
Justyna Sulejewska
298-303
Between Story and Film Adaptation: A Few Insights From a Viewer
https://doi.org/10.14746/i.2015.26.27
PDF (Język Polski)
Paweł Sitkiewicz
304-311
Scientist and Wizard. The Vicissitudes of Maestro Starewicz
https://doi.org/10.14746/i.2015.26.28
PDF (Język Polski)
Marek Hendrykowski
311-316
Methodology of New Film History
https://doi.org/10.14746/i.2015.26.29
PDF (Język Polski)
Marek Hendrykowski
317-324
The Montgolfier Brothers’ Interrupted Breakfast
https://doi.org/10.14746/i.2015.26.30
PDF (Język Polski)