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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Joanna Sikorska
197-204
The Image of The Polish People’s Republic Present in Bartosz Warwas’ Mc. Człowiek z winylu and Jaskółka
2015 June 13
https://doi.org/10.14746/i.2015.26.17
Mikołaj Jazdon
155-166
To film an inconceivable reality: the manifesto of the young Kieślowski
2019 March 25
https://doi.org/10.14746/i.2018.33.13
Piotr Zwierzchowski
137-153
The Party in Krzysztof Kieślowski’s Films
2019 March 25
https://doi.org/10.14746/i.2018.33.12
Piotr Zwierzchowski
170–176
Nudity as a promotional strategy in the Polish cinema of the 1980s
2018 December 22
https://doi.org/10.14746/i.2018.32.13
MAŁGORZATA HENDRYKOWSKA
63-86
Meanders and paradoxes of interwar film censorship in Poland
https://doi.org/10.14746/i.2016.27.04.
MACIEJ PIETRZAK
123-142
Breaking the taboo. The earliest cinematic echoes of the March 1968 experienc
https://doi.org/10.14746/i.2016.27.08.
Denis Viren
277-280
The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries
2014 June 13
https://doi.org/10.14746/i.2014.24.27
Piotr Zwierzchowski
291-298
The People of Nowa Huta. Two films by Kazimierz Karabasz
2015 June 13
https://doi.org/10.14746/i.2015.26.26
Ewa Ciszewska
276-282
The Se-Ma-For Film Studio from 1990 to 1999
2015 June 13
https://doi.org/10.14746/i.2015.26.24
Radosław Dąbrowski
87-107
Krzysztof Kieślowski and Ingmar Bergman – once again about a certain artistic relationship
2019 March 25
https://doi.org/10.14746/i.2018.33.08
Mikołaj Jazdon
141-149
About the Film Adaptation of Zofia Nałkowska’ short story “Aside of the Railway”
2009 June 13
https://doi.org/10.14746/i.2009.13.14.11
Andrzej Szpulak
220-231
Camera and poeta doctus? About Edward Żebrowski’s Films
2011 January 13
https://doi.org/10.14746/i.2011.17.18.12
Denis Viren
109-115
Non-accidental presence. The reception of Krzysztof Kieślowski in Russia
2019 March 25
https://doi.org/10.14746/i.2018.33.09
Patrycja Rojek
218-221
The Overworked Cinema
2011 January 1
https://doi.org/10.14746/i.2011.15.16.14
Marek Hendrykowski
249-255
The Methodological Problems of Studies on the History of Polish Postwar Documentary
2015 January 13
https://doi.org/10.14746/i.2015.25.19
Andrzej Szpulak
81-87
Edward Żebrowski’s “Evening” – the Creative Copy
2012 January 13
https://doi.org/10.14746/i.2012.19.08
Thomas Anessi
5-22
Moving Ahead into the Past: Historical Contexts in Recent Polish Cinema
2012 June 13
https://doi.org/10.14746/i.2012.20.01
Ib Bondebjerg
37-51
Confronting the Past. Trauma, History and Memory in Wajda’s film
2012 June 13
https://doi.org/10.14746/i.2012.20.03
Piotr Zwierzchowski
65-78
Functions of film images of Warsaw in the Polish cinema of the 1960s
2019 January 8
https://doi.org/10.14746/i.2017.31.07
Wojciech Otto
123-134
On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.
2019 January 8
https://doi.org/10.14746/i.2017.31.12
Anna Śliwińska
23-31
England in a Miniature in Mike Leigh's "The Short and Curlies"
2012 January 13
https://doi.org/10.14746/i.2012.19.03
Małgorzata Hendrykowska, Marek Hendrykowski
149-160
The first film adaptation of Pan Twardowski
2017 March 15
https://doi.org/10.14746/i.2017.29.9
Marek Hendrykowski
39-54
The temple of the new faith. Film images of the construction of the Palace of Culture 1952–1955
2019 January 8
https://doi.org/10.14746/i.2017.31.05
Marek Hendrykowski
314-322
Where is our home? The story of a film
2017 March 15
https://doi.org/10.14746/i.2017.29.20
Barbara Giza, Michał Wenzel
237-256
Domestic film classics in the collective consciousness of Polish viewers. Poles’ opinions about domestic films and their attitudes towards Polish film production
2023 January 5
https://doi.org/10.14746/i.2022.41.14
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