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Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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Justyna Sulejewska
275-282
Photographic enclave. New York City and its inhabitants through camera lens
2013 January 13
https://doi.org/10.14746/i.2013.21.21
Roman Włodek
179-202
Jadwiga Andrzejewska’s Łódź films
2017 March 15
https://doi.org/10.14746/i.2017.29.11
Wojciech Sławnikowski
283-298
Filmowość Marii Antoniego Malczewskiego
2023 October 20
https://doi.org/10.14746/i.2023.34.43.18
Kornel Filipowicz, Stanisław Różewicz
280-308
Sunset. Movie script
2009 June 13
https://doi.org/10.14746/i.2009.13.14.22
Marek Kaźmierczak
103-112
Modernity and existence from a semiotic angle. The Voyeurism of the City in Struktura kryształu (1969), a film directed by Krzysztof Zanussi
2019 January 8
https://doi.org/10.14746/i.2017.31.10
Grzegorz Jaroszuk
233-251
Opening of the film and its functions
2017 March 15
https://doi.org/10.14746/i.2017.29.14
Marek Hendrykowski
105-113
Film Production as Culture. On Writings by Edward Zajiček
2013 January 13
https://doi.org/10.14746/i.2013.22.07
Yuri Shevchuk
29-48
Filmmaking as Cultural Aggression
2023 October 20
https://doi.org/10.14746/i.2023.34.43.2
Marek Hendrykowski
231–241
Semiotic of curiosity
2018 December 22
https://doi.org/10.14746/i.2018.32.19
Krystian Przybylski
185-196
“Ledwosz, where is the key?”, or people and animals in Iwona Siekierzyńska’s short student film “Missy”
2019 March 25
https://doi.org/10.14746/i.2018.33.16
Barbara Lena Gierszewska
157-172
Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku
2023 October 20
https://doi.org/10.14746/i.2023.34.43.10
Wojciech Otto
73-85
Krzysztof Kieślowski’s film props in the triptych “Three Colours”
2019 March 25
https://doi.org/10.14746/i.2018.33.07
Monika Talarczyk-Gubała
91–98
Barbara Hammer’s History Lessons as a documentary utopia
2018 April 26
https://doi.org/10.14746/i.2017.30.07.
Katarzyna Taras
196–203
How the cinematographer can help the actor – an insider’s perspective on Joker
2023 December 4
https://doi.org/10.14746/i.2023.35.44.12
Piotr Zwierzchowski
65-78
Functions of film images of Warsaw in the Polish cinema of the 1960s
2019 January 8
https://doi.org/10.14746/i.2017.31.07
Maja Bogojević
111–118
The trouble of gender sin in post-Yugoslav film – in the name of the father
2018 December 22
https://doi.org/10.14746/i.2018.32.09
Thomas Anessi
5-22
Moving Ahead into the Past: Historical Contexts in Recent Polish Cinema
2012 June 13
https://doi.org/10.14746/i.2012.20.01
Andrzej Szpulak
113-122
View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
2019 January 8
https://doi.org/10.14746/i.2017.31.11
Marek Hendrykowski
93-109
Cinematography in the rubbish bin
2023 January 17
https://doi.org/10.14746/i.2022.40.05
Małgorzata Hendrykowska, Marek Hendrykowski
149-160
The first film adaptation of Pan Twardowski
2017 March 15
https://doi.org/10.14746/i.2017.29.9
Anna Estera Mrozewicz
173-192
Underwater, cosmic, spiritual. Russian cities in Scandinavian documentaries
2013 January 13
https://doi.org/10.14746/i.2013.21.13
Barbara Lena Gierszewska
91-102
Cozy Homes? Rooms and apartments of the intelligentsia in Polish drama films, 1956–1970
2019 January 8
https://doi.org/10.14746/i.2017.31.09
Sreeram Gopalkrishnan
165-180
Multiplexes in India: Building Castles in a Low-income Market of Uneven Geographies
2023 January 5
https://doi.org/10.14746/i.2022.41.10
Barbara Giza, Michał Wenzel
237-256
Domestic film classics in the collective consciousness of Polish viewers. Poles’ opinions about domestic films and their attitudes towards Polish film production
2023 January 5
https://doi.org/10.14746/i.2022.41.14
Hanna Grzeszczuk-Brendel
29-37
Rhetoric of the image of architecture
2019 January 8
https://doi.org/10.14746/i.2017.31.04
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